Welcome back to another edition of You Used to Be Soooo Good,
where Justin & I, Dan Moore, discuss things used to be awesome but now, eh,
not so much. This week we discuss the FIRST superhero, the big blue boy scout,
your favorite alien and mine, Superman, and how his cinematic exploits used to
be great but now, not so much.
Superman Movies: You Used to Be Soooo Good
My God, LOOK AT HIM |
DAN: Ah, the wonder of
Superman movies. The man in blue flying heroically through the sky. There used
to not be a superhero movie coming out every week. There was nary a special
effects spectacular starring a comic book hero in theaters. It used to be
Superman…and that was it for a loooong time.
The
original Superman movie with Christopher Reeve, Gene Hackman and the rest was
really the only one we had to watch over and over again, though it is a far
from perfect film. It’s got its share of flaws (Superman can reverse time? The
lack of a physical threat to Supes himself). But in my estimation it is the
best actual portrayal of Superman & Clark Kent. Reeve WAS Superman. He WAS
Clark Kent. He essentially played two polar opposite characters in these films,
and nailed them both. His nerdy, timid Clark Kent looked as if it was done by a
completely different actor than the one playing the Superman with confidence
& swagger. He was the magic in those first two films. He was what I loved
about Superman movies because he encapsulated all it meant to be Superman.
JUSTIN: Richard
Donner's Superman really captured the sense of wonder and excitement of the
character - a paragon of virtue that all humanity could aspire to. An
alien being who selflessly protected his adopted Earth family against all
threats, no matter the cost to himself.
This
massive hit spawned three sequels, one that was almost as good as the original
(and arguably even more fun), and two that were pretty awful. Then there
was the "requel" (that's half reboot/half sequel) Superman Returns,
that was extremely flawed but still presented a lot of things to like,
including a fine performance by Brandon Routh, channeling Reeve. But the
spirit of the Superman character was always there.
Fast-forward
35 years and we see a very different take on the character in Zack Snyder's Man
of Steel - a version that misses pretty much everything that makes Superman a
great, likable hero, in favor of a depressingly cynical worldview and lots and
lots of smashing and death.
Oh no the aliens are attacking a major city with a spaceship and blue laser…again |
DAN: I was so disappointed
in Superman Returns . It was overly
long, the plot was too similar to the original, and I didn’t find any of the
new characters that interesting. Which SUCKS, because I thought Routh was quite
good in the film and I was really hoping they would
continue the franchise with him as Supes, because he came quite close to Reeve
in embodying all the good qualities Kal-El possesses. But the movie just felt
like a place holder until the next BIG Superman movie, which would not be a
continuation of the light, airy Donner type films.
Instead,
the powers that be wanted to re-re-boot the film. Which again, I understand,
gotta keep that franchise cycling, there’s money under that cape. Like a punch
in the face, Man of Steel assaulted you. Brutally, unrelentingly, and
painfully. I thought Superman Returns was overly long? HOLY SHIT this movie
never wanted to end. Now, Returns is actually the longer film, minutes-wise,
but psychologically, Steel definitely was. It was a huge mish-mash of Superman
mythology, Gladiator jump cuts, Transformers type robots fighting &
uninspired acting. I found no reason at all to like this version of the
Superman character. There was barely any separation in Cavill’s portrayal of
Superman & Clark Kent. They were both brooding crybabies. He didn’t stand
out as a hero. He didn’t embody truth, justice, and the American way. He was
just another guy with strength, a nigh invulnerable hero who doesn’t care about
the many innocents he’s slaughtering in pursuit of his also nigh invulnerable
robotic super nemesis. There was nothing special about this Superman, nothing
to set it apart. This could have been any movie about a guy with powers
fighting another guy with powers. Look, Superman's about to break Zod's neck. Oh wait no, this Superman wasn't into brutally executing people. |
JUSTIN: SR was
definitely too close to the original storyline-wise. Lex Luthor hatches a
plan to create his own real estate that'll be worth squillions of dollars, but
will result in the deaths of millions upon millions of people. Why Bryan
Singer chose to continue the existing Supes franchise after 20 years I don't
know - a reboot probably would've been wiser, as no one could outplay Reeve and
Hackman as that incarnation of Supes and Lex. Don't get me wrong, I
actually liked Kevin Spacey as Luthor but he should've been written as a
completely new interpretation of the character, like the one in recent comics
where he's either the head of a conglomerate or The President. And Routh
was quite good as Kal, but sadly he played the character so similarly to Reeve
his performance didn't strike any new notes.
As for
MoS, I totally agree. Watching this movie is akin to being smashed in the
face about three hundred times with a baseball bat engraved with Michael Bay's
initials. Snyder, Nolan and Goyer apparently don't understand the character
or mythos of Superman whatsoever. Kal-El as played by Henry Cavill (not
knocking the guy, he did fine considering what he had to work with), is
completely unlikable, mopey, oblivious, and selfish. "I'll help you
but it has to be on my terms." Superman actually says this to the
Army at the end of this film. Is there a more out-of-character line of
dialogue for Superman??
Michael
Shannon as Zod was horribly miscast and I actually found him annoying. I
was excited about Amy Adams as Lois until they gave her nothing to do except
magically appear whenever the script needed her to. And I'm not sure why
Lawrence Fishburne was even in the movie, since Perry White's character was
utterly superfluous. I actually thought Diane Lane and Kevin Costner as Ma
and Pa Kent were the only rays of hope in this otherwise dismal film, though
they definitely took Pa's "don't save people because you'll be exposed as
a freak" thing way too far. As for Kal's birth father, Russel Crowe
was predictably wooden (Seriously, I don't get why Crowe gets cast in anything
- he's like a charisma vacuum. He actually sucks the fun out of every
scene he's' in.), and the idea that Jor-El is expert at hand-to-hand combat is
simply laughable. He's a scientist/diplomat who can beat up a genetically-engineered
General? Really? REALLY?
Man
of Steel should've just been about a generic superhero dude who's a total jerk
until he realizes that his powers burden him with the responsibility of
protecting people. Oh wait, that was already done in 2008 and was called
Hancock.
DAN: That’s EXACTLY the
movie I thought of when I watched MoS. Hancock is the most thematically similar
film to this new version of Krypton’s Last Son. Though I much prefer the drunk
Superman in part three over the Fresh Prince’s flying alcoholic.
We
are clearly now just bitching about this latest incarnation of Superman, which
was successful at the box office and is most likely going to spawn a future ‘You
Used to Be Soooo Good’ about Batman movies (this Batman vs Superman film idea
seems like misfire of epic proportions). I guess our actual gripe is that
Superman movies used to be full of fun & wonder. The current interpretation
of the character as a grim, moody, sullen hero is against type of what the
character actually has been. It doesn’t FEEL like Superman anymore. Just
another generic battle man in the sky. Jor-El's about to engage in a highly choreographed fistfight. Cuz when I think of Jor-El I think hand-to-hand combat |
JUSTIN: The original Superman film series,
regardless of the quality of the films, had a sense of fun and excitement,
likable characters that were true to their comic book counterparts, and action
sequences that were exhilarating and easy to follow. Yes the special
effects look rather clunky by today's standards & the dialogue is a little
silly at times, but at least these films are fun to sit through, and Superman
is presented as a character we can all look up to and aspire to emulate.
Superman represents the best of us all.
Superman Returns may have fallen short of expectations, but it still contained some of those elements and like the originals, made you want to root for Superman to save the day.
Man of Steel
on the other hand seems to overcompensate for the perceived hokiness of the
Superman mythos and tries to appeal to the Batman and Transformers audiences
with a dark, brooding, flawed hero and an action climax involving citywide
destruction on an overwhelming scale. It's like the filmmakers didn't
want to make a movie that would be described as "fun." And
while a comic book movie doesn't have to be silly and cartoonish (The Dark Knight
Trilogy is a fantastic series of comic book films rooted in reality), a
Superman film should at least be fun to watch. If the audience is
actually bored during an action-packed superhero film you've done something
terribly wrong.Superman Returns may have fallen short of expectations, but it still contained some of those elements and like the originals, made you want to root for Superman to save the day.
And
there you have it. We griped about the original superhero, and gave limited
input on how to fix him, because really, that’s not our job. If it was up to
me, he’d join the Ninja Turtles and they’d all fight Darth Vader (that sounds
AWESOME). Join us next week when we complain about another subject, Saturday
morning cartoons.
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