Welcome to a brand new Top Ten Things, here at Enuffa.com! It's been a while since I did one of these lists, and this one isn't quite ten items, but hey, some editions of TTT have *more* than ten, so screw you! Just kidding, please keep reading....
Today's topic is the discography of one of my favorite metal bands, Avenged Sevenfold! Formed in Huntington Beach, CA in 1999, A7X is known for complex, theatrical songwriting and fearless genre-bending, incorporating a diverse set of influences into their distinct melting pot of audacious, bombastic sounds. Initially the band went for a hybrid of metalcore and punk sprinkled with melodic hooks, but they pretty quickly began experimenting with other genres, veering all the way into Broadway musical numbers and country-rock ballads by 2007. On their most recent effort they went full avant-garde, defying all logical expectations and forging their own unique artistic path. This is a band never content to rest on their laurels; they don't just push the envelope, they shred it.
Like a lot of their fans I discovered A7X on the heels of their breakthrough third album City of Evil, but it was their self-titled fourth record and its follow-up Nightmare that really hooked me in 2010. Since then I've found myself often revisiting their catalog in the form of intense deep-dives, where I'll get stuck on album or two and play them on a loop before moving on to the next, always hungry for new material from them.
As with all great musical artists, Avenged Sevenfold crafts songs and albums that reward numerous listens, blending intricate musicianship, balls-out aggression, and deeply heartfelt, relatable human themes. I'm not sure there's another metal band with so many songs that make me well up. In a genre known for macho chest-thumping, A7X isn't afraid to explore big feelings and make profound statements about the human condition. That reason perhaps more than any other is why their music resonates so heavily for me, but I also love the fact that they aren't beholden to any genre expectations so many other metal bands adhere to. They unapologetically make the music they want to make, and that's so much more exciting to me than when a band goes in predictable directions out of obligation.
But enough pontificating, let's get to the countdown!
HM: Diamonds in the Rough
I've kept this collection of B-sides and covers out of the ranking for obvious reasons, but I felt it warranted a few words. M. Shadows is on record saying he wished the band hadn't released this CD, as the songs were left off their self-titled album for a reason, but I'm gonna go on record myself as saying there are a few real gems here. Aside from two covers (Iron Maiden's "Flash of the Blade" and Pantera's "Walk") and alternate versions of "Almost Easy" and "Afterlife," Diamonds in the Rough contains seven previously unreleased songs, of which three were absolutely good enough for the fourth album in my opinion. I'd have cut "Critical Acclaim" and "Scream" and added the three tunes mentioned below. Don't sleep on this collection.
Key Tracks: "Demons," "Until the End," "Dancing Dead"






































